By HAVEN DALEY
The Associated Press
SAN FRANCISCO —
Robin Williams, a brilliant shapeshifter who could channel his frenetic energy into delightful comic characters like "Mrs. Doubtfire" or harness it into richly nuanced work like his Oscar-winning turn in "Good Will Hunting," died Monday in an apparent suicide. He was 63.
Williams was pronounced dead at his San Francisco Bay Area home Monday, according to the sheriff's office in Marin County, north of San Francisco. The sheriff's office said the preliminary investigation shows the cause of death to be a suicide due to asphyxia.
The Marin County coroner's office said Williams was last seen alive at home at about 10 p.m. Sunday. An emergency call from his house in Tiburon was placed to the Sheriff's Department shortly before noon Monday.
"This morning, I lost my husband and my best friend, while the world lost one of its most beloved artists and beautiful human beings. I am utterly heartbroken," said Williams' wife, Susan Schneider. "On behalf of Robin's family, we are asking for privacy during our time of profound grief. As he is remembered, it is our hope the focus will not be on Robin's death, but on the countless moments of joy and laughter he gave to millions."
Williams had been battling severe depression recently, said Mara Buxbaum, his press representative. Just last month, he announced he was returning to a 12-step treatment program he said he needed after 18 months of nonstop work. He had sought treatment in 2006 after a relapse following 20 years of sobriety.
From his breakthrough in the late 1970s as the alien in the hit TV show "Mork & Mindy," through his standup act and such films as "Good Morning, Vietnam," the short, barrel-chested Williams ranted and shouted as if just sprung from solitary confinement. Loud, fast and manic, he parodied everyone from John Wayne to Keith Richards, impersonating a Russian immigrant as easily as a pack of Nazi attack dogs.
He was a riot in drag in "Mrs. Doubtfire," or as a cartoon genie in "Aladdin." He won his Academy Award in a rare dramatic role, as an empathetic therapist in the 1997 film "Good Will Hunting."
He was no less on fire in interviews. During a 1989 chat with The Associated Press, he could barely stay seated in his hotel room, or even mention the film he was supposed to promote, as he free-associated about comedy and the cosmos.
"There's an Ice Age coming," he said. "But the good news is there'll be daiquiris for everyone and the Ice Capades will be everywhere. The lobster will keep for at least 100 years, that's the good news. The Swanson dinners will last a whole millennium. The bad news is the house will basically be in Arkansas."
As word of his death spread, tributes from inside and outside the entertainment industry poured in.
"Robin Williams was an airman, a doctor, a genie, a nanny, a president, a professor, a bangarang Peter Pan, and everything in between. But he was one of a kind. He arrived in our lives as an alien - but he ended up touching every element of the human spirit. He made us laugh. He made us cry. He gave his immeasurable talent freely and generously to those who needed it most - from our troops stationed abroad to the marginalized on our own streets," President Barack Obama said in a statement.
Following Williams on stage, Billy Crystal once observed, was like trying to top the Civil War. In a 1993 interview with the AP, Williams recalled an appearance early in his career on "The Tonight Show Starring Johnny Carson." Bob Hope was also there.
"It was interesting," Williams said. "He was supposed to go on before me and I was supposed to follow him, and I had to go on before him because he was late. I don't think that made him happy. I don't think he was angry, but I don't think he was pleased.
"I had been on the road and I came out, you know, gassed, and I killed and had a great time. Hope comes out and Johnny leans over and says, 'Robin Williams, isn't he funny?' Hope says, 'Yeah, he's wild. But you know, Johnny, it's great to be back here with you.'"
In 1992, Carson chose Williams and Bette Midler as his final guests.
Like so many funnymen, Williams had dramatic ambitions. He played for tears in "Awakenings," ''Dead Poets Society" and "What Dreams May Come," which led New York Times critic Stephen Holden to write that he dreaded seeing the actor's "Humpty Dumpty grin and crinkly moist eyes."
But other critics approved, and Williams won three Golden Globes, for "Good Morning, Vietnam," ''Mrs. Doubtfire" and "The Fisher King."
His other film credits included Robert Altman's "Popeye" (a box office bomb), Paul Mazursky's "Moscow on the Hudson," Steven Spielberg's "Hook" and Woody Allen's "Deconstructing Harry." On stage, Williams joined fellow comedian Steve Martin in a 1988 Broadway revival of "Waiting for Godot."
"Robin was a lightning storm of comic genius and our laughter was the thunder that sustained him. He was a pal and I can't believe he's gone," Spielberg said.
More recently, he appeared in the "Night at the Museum"movies, playing President Theodore Roosevelt in the comedies in which Ben Stiller's security guard has to contend with wax figures that come alive and wreak havoc after a museum closes. The third film in the series is in post-production, according to the Internet Movie Database.
In April, Fox 2000 said it was developing a sequel to "Mrs. Doubtfire" and Williams was in talks to join the production.
Williams also made a short-lived return to TV last fall in CBS' "The Crazy Ones," a sitcom about a father-daughter ad agency team that co-starred Sarah Michelle Gellar. It was canceled after one season.
"I dread the word 'art,'" Williams said in 1989 when discussing his craft with the AP. "That's what we used to do every night before we'd go on with 'Waiting for Godot.' We'd go, 'No art. Art dies tonight.' We'd try to give it a life, instead of making "Godot" so serious. It's cosmic vaudeville staged by the Marquis de Sade."
His personal life was often short on laughter. He had acknowledged drug and alcohol problems in the 1970s and '80s and was among the last to see John Belushi before the "Saturday Night Live" star died of a drug overdose in 1982.
Williams announced in 2006 that he was drinking again but rebounded well enough to joke about it during his recent tour. "I went to rehab in wine country," he said, "to keep my options open." The following year, he told the AP that people were surprised he was no longer clean.
"I fell off the wagon after 20 years and people are like, 'Really?' Well, yeah. It only kicks in when you really want to change," he said.
Born in Chicago in 1951, Williams would remember himself as a shy kid who got some early laughs from his mother — by mimicking his grandmother. He opened up more in high school when he joined the drama club, and he was accepted into the Juilliard Academy, where he had several classes in which he and Christopher Reeve were the only students and John Houseman was the teacher.
Encouraged by Houseman to pursue comedy, Williams identified with the wildest and angriest of performers: Jonathan Winters, Lenny Bruce, Richard Pryor, George Carlin. Their acts were not warm and lovable. They were just being themselves.
"You look at the world and see how scary it can be sometimes and still try to deal with the fear," he said in 1989. "Comedy can deal with the fear and still not paralyze you or tell you that it's going away. You say, OK, you got certain choices here, you can laugh at them and then once you've laughed at them and you have expunged the demon, now you can deal with them. That's what I do when I do my act."
He unveiled Mork, the alien from the planet Ork, in an appearance on "Happy Days" and was granted his own series, which ran from 1978 to 1982 and co-starred Pam Dawber as a woman who takes in the interplanetary visitor.
"I am completely and totally devastated," Dawber said in a statement. "What more can be said?"
Following his success in films, Williams often returned to television — for appearances on "Saturday Night Live," for "Friends," for comedy specials, for "American Idol," where in 2008 he pretended to be a "Russian idol" who belts out a tuneless, indecipherable "My Way."
Williams could handle a script, when he felt like it, and also think on his feet. He ad-libbed in many of his films and was just as quick in person. During a media tour for "Awakenings," when director Penny Marshall mistakenly described the film as being set in a "menstrual hospital," instead of "mental hospital," Williams quickly stepped in and joked, "It's a period piece."
Winner of a Grammy in 2003 for best spoken comedy album, "Robin Williams — Live 2002," he once likened his act to the daily jogs he took across the Golden Gate Bridge. There were times he would look over the edge, one side of him pulling back in fear, the other insisting he could fly.
"You have an internal critic, an internal drive that says, 'OK, you can do more.' Maybe that's what keeps you going," Williams said. "Maybe that's a demon. ... Some people say, 'It's a muse.' No, it's not a muse! It's a demon! DO IT YOU BASTARD!! HAHAHAHAHAHAHA!!! THE LITTLE DEMON!!"
In addition to his wife, Williams is survived by his three children: daughter Zelda, 25; and sons Zachary, 31, and Cody, 19.
By: Geoff Gaherty
The sun will look like a ring of fire above some remote parts of the world next Tuesday (April 29) during a solar eclipse, but most people around the world won't get a chance to see it.
Whereas lunar eclipses occur only when there's a full moon, and solar eclipses only happen during a new moon. Half the world saw a lunar eclipse during the full moon on April 15. When a lunar eclipse occurs, it usually means there is also a solar eclipse at the preceding or following new moon.
Tuesday's solar eclipse is known as an "annular" — rather than "total" — lunar eclipse. That’s because Tuesday's eclipse will occur when the moon is close to its farthest distance from the Earth, making it too small to cover the sun completely. The resulting effect looks like a ring of fire, called an "annulus," appears around the silhouette of the moon. ['Ring of Fire' Annular Solar Eclipse of April 29, 2014 (Visibility Maps)]
But most people won't see the whole eclipse. The only place in the world where thisannular eclipse will be visible is a small area in Antarctica. However, partial phases of the eclipse will be visible in other places. Most of those areas are in the ocean — rarely traveled ocean, in fact — but the entire continent of Australia will get a good view.
The best view of the eclipse will be from the island state of Tasmania. From Hobart, the capital of Tasmania, the eclipse will begin with the moon taking a tiny nick out of the sun's edge at 3:51 p.m. local time (0551 GMT). Maximum eclipse will be at 5 p.m. (0700 GMT), and the sun will set at 5:17 p.m. (0717 GMT). The farther north you go in Australia, the less the moon will cover the sun. In Sydney, the eclipse will begin at 4:14 p.m. and will be at maximum — 52 percent covered — at 5:15 p.m. The sun will set in eclipse two minutes later.Skywatchers in the western parts of Australia will be able to see the end of the solar eclipse. In Perth, the eclipse begins at 1:17 p.m. (0517 GMT), is at maximum (59 percent) at 2:42 p.m. (0642 GMT), and ends at 3:59 p.m. (0759 GMT).
WARNING: Never look directly at the sun during an eclipse with a telescope or your unaided eye; severe eye damage can result. (Scientists use special filters to safely view the sun.)
Partial solar eclipses have the greatest potential for eye damage because at no time is the sun completely covered by the moon. The sun itself is no more dangerous during an eclipse. The danger comes from people's desire to look at it, to overcome the natural reflex that forces us to look away from the sun.
The safest way to view a solar eclipse is to project its image. The easiest way to do so is with a pinhole camera. The longer the projection distance from the pinhole to the viewing screen, the larger the sun will appear. Natural pinholes are often formed by gaps between tree leaves, covering the ground beneath with miniature eclipses. A small mirror on a window ledge can project a fine image on the ceiling or far wall, suitable for viewing by a whole room full of people.
You should never attempt to look directly at the sun without a proper solar filter, available from telescope stores, planetariums and science centers. This is especially true if you're viewing it through binoculars or a telescope. There is no way to create your own safe filter from ordinary materials, so don't risk it.
Editor's Note: If you live in the populated visibility path and snap an amazing picture of the April 29 solar eclipse, you can send photos, comments, and your name and location to managing editor Tariq Malik at firstname.lastname@example.org.
This article was provided to Space.com by Simulation Curriculum, the leader in space science curriculum solutions and the makers of Starry Night and SkySafari. Follow Starry Night on Twitter @StarryNightEdu. Follow us @Spacedotcom,Facebook and Google+. Original article on Space.com.
By: The Week
Ronald McDonald has replaced his passé overalls with a chic vest and pants combo, showing that just because you're a clown, you don't have to look like one.
The Associated Press reports it is all part of a new campaign by McDonald's to boost weak sales. Ronald left the spotlight a few years ago, keeping a low profile due to criticism from activists who thought he was peddling unhealthy food to children. Now he's back with a new look and an appreciation of social media: Ronald is going to become active on Twitter, using the hashtag #ronaldmcdonald to share photos and videos (according to the AP, Ronald will not have his own handle, at least not yet).
"Selfies…here I come! It's a big world and now, wherever I go and whatever I do…I'm ready to show how fun can make great things happen," the character said in a statement.
The world's most famous clown may be wearing new digs, but one thing that hasn't changed is his taste in footwear. "His iconic big red shoes will remain the same," McDonald’s said in a statement. Watch a video of Ronald's transformation below. --Catherine Garcia
BY SASHA GOLDSTEIN
Barefoot and wearing a black veil, the man dropped a large backpack shortly before being apprehended by police. The area is on high alert as commemorations for the victims of last year's bombing are underway Tuesday.
The area around the Boston Marathon finish line has been evacuated as cops investigate two suspicious backpacks left along Boylston Street.Ceremonies throughout the day commemorated the victims on the one year anniversary of the bombing at the site that killed three and injured more than 260 people.
Around 7 p.m., a barefoot man wearing a black veil and yelling “Boston Strong!” as he ran left one of the backpacks at the finish line near Boylston and Dartmouth, WBZ-TV reported.
The man was detained, and police have ordered media and bystanders to clear the area as the large black backpack is investigated.
Police confirmed just after 7:30 p.m. that the department is investigating the two backpacks.
A bomb squad is now on scene approaching the bag.
Two pressure-cooker bombs in backpacks were left near the finish line last April 15 and detonated around 2:49 p.m., killing and injuring scores of people and sending Boston into chaos.
JARED WICKERHAM/GETTY IMAGESBoston Police officers patrol a section of Boylston Street on their bikes while it is closed off to traffic prior to the flag raising ceremony commemorating the one-year anniversary of the Boston Marathon bombings on Boylston Street near the finish line on April 15, 2014 in Boston, Massachusetts. Last year, two pressure cooker bombs killed three and injured an estimated 264 others during the Boston marathon, on April 15, 2013.
The annual marathon is scheduled for April 21 this year.
By Sheila Cosgrove Baylis
The Fast and the Furious will go on, with Paul Walker's brothers, Caleb and Cody Walker, helping to fill in the late actor's remaining action scenes.
The franchise posted "A Note to the Fans" on Facebook Tuesday to thank audiences "for the love and support you always show us" and to confirm that the latest film in the series, The Fast and the Furious 7, will be completed.
"Our family experienced an unthinkable shock in November," the post says. "We had to take time to grieve Paul, the brother we love and lost, and to figure out if we should move on with our film."
"We came together and all felt the only choice was to continue. We believe our fans want that, and we believe Paul would want that too. Paul had already shot his dramatic scenes and most of his action for FAST & FURIOUS 7, and it's among the strongest work of his career."
"We have resumed shooting and now welcome Paul's brothers, Caleb and Cody, into our FAST family. Caleb and Cody are helping us complete some remaining action for their brother and fill in small gaps left in production. Having them on set has made us all feel that Paul is with us too," the post says.
The producers go on to confirm Vin Diesel's announcement that the film will be released next spring, and that its completion "will allow the character of Brian O'Conner to live on and let us celebrate Paul in his most defining role."
And although our older comment system will still be around, we've decided to pick up the social feed! Introducing, Blogging Blogger's very own comment box! #CheckIt
By Ty Burr
During the prime of her then-unprecedented stardom, from age 6 to 11, Shirley Temple was a living example to all the little girls (and boys) of how to move through the world: with effervescence, good cheer, a song on the lips, and a tap dance in the toes. Were the grown-ups having problems? They’d sort themselves out and, if not, a little child would lead them. Even the Great Depression seemed to buckle before her steel-belted optimism.
From a modern vantage point, though, with the announcement of Shirley Temple Black’s death Monday at 85, she represents a different example: a lesson in how to be famous while retaining one’s sanity, humanity, and perspective. This matters very much in a culture in which public attention, more than ever, is a cheap commodity easily obtained and to which our celebrated children respond by flipping out.
Not for her the DUIs and paparazzi meltdowns, deranged tweets, and dead-eyed mug shots. Temple chain-smoked in her late teens and, at 17, married the first man who came along; that appears to be as rebellious as she got. (The husband was Army Air Corps sergeant John Agar; the marriage lasted four years. Her second marriage, to California businessman Charles Black, lasted more than half a century.)
Times were different then, and the great film factories kept their talent on a short leash while working them hard: Temple turned out 24 films during her peak six years of 1934 through 1940. Yet it’s worth remembering that her fame eclipsed almost all earlier models, and still she turned out shockingly normal. She was and remains as iconic as Charlie Chaplin and Mickey Mouse, two other early movie stars who quickly became the property of the public imagination and who roll on, ageless, in the culture.
Admit it: When you heard she’d died, you were surprised Shirley Temple Black was still alive, because the woman herself, with all her diplomatic accomplishments -- she served as ambassador to Ghana in the 1970s and Czechoslovakia during the Velvet Revolution of 1989 -- and high-profile Republican fund-raising activities, had long ago receded behind the eternal, dancing, black-and-white tot.
Like Chaplin and Mickey Mouse, she posessed vast monetary value. Temple’s fortunes dictated those of her employer, Twentieth Century Fox, and the profits from movies like “Curly Top,” “The Little Colonel,” and “Stand Up and Cheer!” quite literally saved the studio from going under in the early 1930s. As Temple herself noted in her 1982 autobiography “Child Star” -- both an enjoyable read and a marvel of fiscal probity -- “During 1936, almost 90% of reported corporate net profits were attributable to earnings of my four most recent films.” As with Clark Gable at MGM and Mae West at Paramount, the studio rode out the Depression on her back.
That meant that when Fox head Darryl F. Zanuck heard that Temple had lost a tooth on the set one day, he panicked and ran out of a meeting with “Grapes of Wrath” author John Steinbeck. It meant that when grown-up costars forgot their dialogue and the kid -- who had entire scripts memorized -- fed them their lines, they had to grit their teeth and take it. (“We hated her for that,” said Alice Faye.) It also meant that Zanuck held no illusions about the half-life of a child star’s popularity. He shaved a year off Temple’s age to make her appear more of a prodigy -- the actress didn’t find out until she was a teenager -- and told her mother, “The less she changes, the longer she lasts.”
At the peak of Shirley-mania, during the first half of the 1930s, she was the popular culture’s living doll, easily available for purchase in tie-in form. In addition to actual Shirley Temple dolls sold by Ideal -- there were 13 different models -- you could buy Shirley berets, overcoats, hair ribbons, headbands, soap, dishware, sheet music, sewing kits, pocket mirrors, paper tablets, playing cards, anklets, and barrettes. She promoted GE model kitchens, Packard automobiles, insurance, Wheaties, flour, Grunow Teledial radios, and Quaker Puffed Wheat. She was the perfect product spokesperson, for how could a child be accused of faking enthusiasm?
If the tie-ins weren’t enough, you could turn your own daughter into Shirley -- a bull market in tap-dancing lessons and curling irons was one result-- or you could try to make one. Temple’s father, George, was repeatedly propositioned by women hoping against genetic hope to spawn their own child star. Shirley herself was the subject of numerous kidnapping threats, and the perpetrators invariably turned out to be young men and women, bored and maybe a little resentful about their own vanished innocence, wanting only to be seen by an audience of millions.
That audience could turn ugly, even rapacious. During a 1938 appearance at Boston’s Public Garden, 10,000 fans turned out to greet Temple, breaking through police barricades and rushing the 10-year-old star. Wrote Temple in her autobiography, “As we approached, a sea of arms were upthrust, waving like tentacles, and from this packed humanity rose a pulsing cacophony of screams and reverberating growls... Down came the ropes, wooden barricades tipped and we were swallowed by the crowd’s advance... I suddenly saw only a mosaic of arms and faces, mouths gaped open and shouting. Hands reached up to claw along my bare legs, tug at my shoes, and pull at my dress hem.”
Afterwards, she asked her mother, Gertrude, why people behaved like that. “Because you make them happy,” Gertrude replied, and, honestly, she was right. If it’s asking a great deal of a child to process such a paradox -- the savagery of mass love, the blunt simplicity of the emotion behind it -- it says a lot about Temple that she rose to the task. “A fundamental fact of life began to sink in,” she wrote later. “No matter its brilliance or how remote its location, any star can be devoured by human adoration.”
There’s a famous line from a William Carlos Williams poem -- “the pure products of America go crazy” -- that has been much-used to explain the flame-outs of our entertainment idols, from Elvis Presley to Marilyn Monroe to Kurt Cobain. As a blanket statement, it explains (or pretends to) the youthful stars who appear to have gone off the rails in recent decades: Macaulay Culkin and Lindsay Lohan, Justin Bieber and Miley Cyrus. Growing up in public is the hardest performance of all. Judy Garland and Michael Jackson would be the first to tell you that.
Yet Shirley Temple escaped -- and this, I’d hazard, is her gift to the culture, after we’ve put the DVDs of “Poor Little Rich Girl” and “Wee Willie Winkie” back on the shelf. The talented yet uncomplicated confidence that made her so delightful onscreen was, in large part, who she was in life. All celebrities are conscious projections of the ordinary people playing them, and certainly Shirley learned how to “do Shirley” over the years. But because she started so young, because she was encouraged and protected by supportive parents -- not perfect, just loving -- because she had the genes or temperament or luck to have an inviolable sense of herself from early on, she may be the one movie star who really was as we saw her.
Because of that, she survived. At 16, with her popularity waning and her movies earning less and less, Temple happily left Fox and its studio schoolroom to enroll in a private Los Angeles high school. “Tears came to my eyes,” she wrote. “I looked at all those girls and knew I was one of them.”
As if she had ever been anything else.
By SARAH GRIFFITHS
That's one freaky feline! Breeders develop a CAT that looks like a WEREWOLF and acts like a DOG
Exotic animals can make popular pets but a cat with a touch of the supernatural will stand out in among the neighbours’ moggies.
A new breed of cat that looks like a werewolf and behaves like a dog has been developed by U.S. breeders
The Lykoi gets its spooky looks because of a genetic mutation in a domestic short hair cat, which prevents the curious creature from growing a full coat of fur, making it looks like a werewolf.
Its name comes from the Greek for 'wolf' and translates as ‘wolf cat’ as the animal has no hair around its eyes, nose, ears and muzzle as well as a consistently patchy coat on the rest of its body.
Curiously Lykois are said to have a ‘hound dog personality’.
‘They like to hunt around the house for whatever they can find.
'They show caution to strangers, but warm up quickly and become very friendly,’
according to the breed’s website.
Perhaps in parallel to supernatural werewolf characters, the cats have a ‘strong prey drive’ that ‘causes them to stalk and pounce on everything they consider to be prey.’
However, unlike a werewolf, whose personality chances at full moon, Lykois are said to be friendly and playful as well as loyal to their owners.
The first official Lykois came had a father with a naturally-occurring Sphinx mutation and a mother who was a black domestic short hair cat.
‘The gene is a natural mutation that appeared in the domestic cat population,’ said Breeder Johnny Gobble.
‘There was no human intervention to create the cat. We are simply using the genetics of natural processes,’ he added.
There were three ‘foundation breeders’ – Mr Gobble, his wife Brittney Gobble and Patti Thomas, who located the first two kittens, while it was Mr Gobble used cats from two groups of kittens to breed the first Lykoi kittens.
They found that the cats were not a Sphinx (a breed of hairless cat) that had retained some of its fur and this was confirmed by DNA testing that did not find the Sphinx gene.
In fact, researchers found that a new breed had been created, but they wanted to make sure the kittens were completely healthy before breeding them.
Tests were run to rule out genetic illnesses and dermatologists at the University of Tennessee examined the animals for skin abnormalities. While none were found, the scientists were stumped at first as to what had caused the strange coat.
They then found that some of the animals' hair follicles lacked all the components needed to create hair and that follicles that did have an undercoat were imbalanced so the hair could not be maintained.
Consequently the cats moult and can go completely bald some of the time – not just on a full moon.
t is hoped that the felines will be categorised as a 'preliminary new breed' by the The International Cat Association (TICA) this coming Autumn when they will be able to be shown at cat shows.
A total of 14 litters of kittens not from the original litter have been reported and there are just seven Lykoi breeders registered in the world, making the kittens hot property.
Mr Gobble said that breeders get requests for the unusual kittens daily and he gets asked about the breed at least ten times a day.
‘We are doing our very best to monitor breeding cats to ensure that the Lykoi cat will be a new breed that has wonderful health, great personality, and the Lykoi (werecat) look,’ he said.
Read more: http://www.dailymail.co.uk/sciencetech/article-2556902/Thats-one-freaky-feline-Breeders-develop-cat-looks-like-WEREWOLF-acts-like-DOG.html#ixzz2t4V2oLWJ
Follow us: @MailOnline on Twitter | DailyMail on Facebook
By: TMZ STAFF
Paul Walker's will was poorly drafted ... making it SEEM like he wanted his mom to wrestle parental control of his daughter from his baby mama-- yet in a strange twist of events, the will now reflects exactly what Paul would have wanted.
Paul's will was drafted back in 2001 ... and it makes his mother Cheryl the legal guardian of Meadow. It reeks of a family feud because there's no mention of Meadow's mother Rebecca Soteros.
The guardianship clause doesn't make sense ... because at the time the will was drafted Meadow lived with her mom in Hawaii .... and sources close to Paul say he was happy with the arrangement when he signed the will.
Now the twist of fate. Three years ago Meadow moved to Southern California to live with her dad and Rebecca stayed in Hawaii. Meadow wants to continue living in So. Cal. and Rebecca is fine with it ... she will continue to live in the Aloha state.
So now it makes complete sense for Paul's mom Cheryl to become the guardian of Meadow.
As TMZ first reported ... Paul's father -- executor of the will -- has petitioned the court to make Paul's mom guardian of Meadow. Cheryl will also be the trustee of Paul's $25 million estate -- which will eventually go outright to Meadow.
So ... Father did know best.
Read more: http://www.tmz.com/2014/02/05/paul-walker-will-daughter-meadow-guardian-mother-rebecca-soteros/#ixzz2sWEnRtB3
We are, DJ's, Songstress, Actress, Poetess, Writers, Performers, Dancers, and also Artists.
South Side Family Productions©, Fantasy Crew© 2011-2014All rights reserve©